![]() bakers chocolate, rich soil, and caramel are also here, its just got so much going on, and i taste more every sip, cigar, pipe tobacco, leather, the maturity is off the charts, and the oldest beer in this blend stands out to me. i get smoke, old wet oak, honey, raisin, black figs, and dark chocolate in here, but also some unique suggestions of good port wine, dark rum, and amaro. there is almost a bitterness double jeopardy here which is cool, some back end hop bitterness along with a deeply roasted almost burnt layer in the grain, wrinkles of licorice and black pepper and barrel char mingle here as well, and the whole complex serves to offset some natural whiskey and malt sweetness, so there is crazy balance to this, despite its enormity and depth. this is a crazy blend of bourbon barrel aged dark beers, tons of wood and maturity to this, not over the top on the whiskey character although it certainly helps define it, and its absolutely packed with nuance. covers Simon Drake's current projects but also touches on The Secret Cabaret.My god this is good, gold standard level beer here, nobody does it quite like breakside, and for how good all their hoppy stuff is, its weird that they dont get similar attention for these types of beers, this is truly a brewery that does everything, and does it well. Archived from the original on 28 March 2007. and The Secret Cabaret - series 2 episode 6. ^ From tapes of The Secret Cabaret - series 1 episode 6.and also from a tape of The Secret Cabaret - series 2 episode 6. Where a particular series is noted in parentheses it means the name was found on credits for that series but it does not imply the person was not involved in both series. Tapes were not available for all episodes and so this listing should not be assumed to be complete. ^ The credits lists here have been compiled from available tapes of episodes and from lists published on the web by Simon Drake and Open Media.: Cite journal requires |journal= ( help) ^ The information for this episode was checked directly with a recorded copy of "The Secret Cabaret – series 2 episode 6".Archived from the original on 22 October 2008. ^ In the end titles for the second series of the show Drake received a credit for "Conceived and Original Material".Producers: Frankie Glass and Jim Steinmeyer.Theatre director (series 2): Don Coutts.Theatre director (series 1): Vincent Stafford.Choreographer (series 2): Jonathan Thrift. ![]() Additional magic (series 1)/Magic consultant(series 2): Patrick Page.Researchers (series 2): David Britland and Sarah Wynn Parry.Researchers (series 1): David Britland and Isabel MacIver.In addition to those named above, the following appeared in various end credits: Producer Jim Steinmeyer (left) with Jay Marshall This was a decade before Abagnale became world-famous through the 2002 bio-pic Catch Me If You Can produced by Steven Spielberg.Įpisodes and broadcast dates Series 1 ![]() Regular guests included magicians James Randi, Geno Munari, Max Maven and David Berglas and reformed fraudster turned security expert Frank Abagnale. Noted illusion designer Jim Steinmeyer was credited as one of the producers. Also credited as a writer was poet and playwright Heathcote Williams. The series had strong input from sleight-of-hand magician Ricky Jay, who made special appearances in each show and was credited as a writer. I wanted to see something darker, more fast-paced and rock-and-roll, more sexy, more weird." Simon Drake is quoted as saying: "On television in the UK then, were Wayne Dobson and Paul Daniels, but they didn’t appeal to me. ![]() A substantial part of the running time of the show was given over to guest performers and various filmed items, ranging from archive footage to close-up presentations or exposures of scams and swindles. These sections were often embellished with realistic looking blood and gore reminiscent of the infamous performances of Peruvian magician Richiardi Jr. One of the features that gained it attention were illusion segments performed by Drake in a guise that owed much to punk and heavy metal. ![]() The styling of the show was dark and mysterious with some elements that reflected goth subculture. Each programme revolved around a theatre-based show presented by Simon Drake and featuring illusions performed by him in various guises. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |